
Inghild Karlsen & Cecilie Løveid: JEG FANT DET DU FORLOT/ I FOUND WHAT YOU LEFT BEHIND
"I found what you left behind" is an artist's project and a performance, a staged form where the poet finds her poems... in a marketplace of her imagination. At this marketplace the poet finds old postcards, pictures, songs and dogs to read the text out of. She also meets tradepersons who can sing, who can make the color white and the color black, who can sing her own texts and pictures before they even exists as full texts, and some of the texts will even dissapeare again to the big markets belly...
Stage and idea: Inghild Karlsen
Poems and other texts: Cecilie Løveid
Performers:
Cecilie Løveid: texts, reading
Siri Austeen: Vocal and Sound- performer
Bo Bisgaard: Performer
Inghild Karlsen: Performer
Tone Gellein video-technics and photos.
Kai Johnsen is our dramaturg.
Durance 55´´
Forestillingen JEG FANT DET DU FORLOT er initiert og utviklet på Dramatikkens Hus i Oslo første halvår 2010, og hadde premiere på Dramatikkens Hus 10.september. Forestillingen er tilgjengelig for festivaler og bok-events, kunstforeninger etc.
Vennligst kontakt Dramatikkens Hus i Oslo
Stage and idea: Inghild Karlsen
Poems and other texts: Cecilie Løveid
Performers:
Cecilie Løveid: texts, reading
Siri Austeen: Vocal and Sound- performer
Bo Bisgaard: Performer
Inghild Karlsen: Performer
Tone Gellein video-technics and photos.
Kai Johnsen is our dramaturg.
Durance 55´´
Forestillingen JEG FANT DET DU FORLOT er initiert og utviklet på Dramatikkens Hus i Oslo første halvår 2010, og hadde premiere på Dramatikkens Hus 10.september. Forestillingen er tilgjengelig for festivaler og bok-events, kunstforeninger etc.
Vennligst kontakt Dramatikkens Hus i Oslo
AUSTRIA /Østerrike
In a jugend style deck chair, on a Norwegian Coastal Express ship, in the middle of the Sogne Fjord, sits the Swiss arcitecct student Agnes , based on Marguerite Respiger, travelling only with an Underwood typewriter, a dress from the Ibsen play Brand, and a book: Henrik Ibsen's play BRAND in Norwegian, and a love letter from the philosopher Ludwig Wittgenstein, where he asks her to marry him.1 woman, 2 (3) men.1 set. English translation, also German and Polish. For "Austria" I won the Ibsen prize 1999.
THE RHINEMAIDENS (Rhindøtrene)

Trapped in her Vision- kiosk" and in her role as Sibyl of the Rhine, devastated by bodily illnesses and visions from heaven, Hildegard von Bingen is deeply devoted to a young, blind girl named Richarda.
4 woman, 2 men. 1 set. also in German, French and Polish.
MARIA Q (Maria Quisling)

Maria Quisling
"Definitely one of those dangerous women" said a german Nazi general in his report.
In fact, Vidkun Quisling has two wifes at the same time- and a loving mother who sees him as the successor of Jesus Christ and St. Olaf.
6 women, 2 men. 1 set. Also Swedish, German, Hungarian, Polish,
OPHELIAS: DEATH BY WATER SINGING Music Theatre. Composer Henrik Hellstenius Libretto Cecilie Løveid.

The young Ophelia is brought to a decaying court to marry an unstable Hamlet. Hamlet falls in love, Ophelia falls in love. Both are taken out to the forest for a rendezvous where they are united. Afterwards Ophelia is left pregnant and abandoned by Hamlet, who kills the King. Ophelia goes mad after understanding that her Hamlet is a murderer and a betrayer. She drowns herself in the river.
Ophelia
Hamlet
Gertrude
Three Woodmaidens
The dead king.
The libretto is written in English. Rights by Edition Wilhelm Hansen
